Archive for June, 2001

77 – Proof of Life

In this movie, Russell Crowe is a crackerjack hostage negotiator and Meg Ryan’s the typical victimized female. Before I saw this movie, I had visions of Meg Ryan, America’s Sweetheart, being kidnapped by terrorists bent on depriving the world of primo coffee. Sadly, though, Meg’s not kidnapped. That honor goes to her onscreen hubby, Peter (David Morse), who’s working on building a dam (under the direction of the usual Evil Oil Company) somewhere in South America. Local rebels blockade a road and pick up David, and after learning he works for a rich American company, take him hostage.

Crowe’s Terry is called in to talk to the bad guys. He’s had a lot of practice doing this, just as Crowe’s had a lot of practice playing steely, stoic guys who Do the Right Thing all the time. And just as Ryan’s had a lot of practice playing cutie pies. During filming of this movie the two stars had an affair. Remember? I was on the edge of my seat for several minutes as I waited for the next engrossing episode of Meg n’ Russ. But I digress.

While Peter’s held captive, he’s tortured a little. He’s deprived of food, water, etc. Oh, and he’s mocked incessantly in Spanish by the Number One Bad Guy. I almost expected the Number One Bad Guy to reveal his evil plans, but I was disappointed on that front. But the torture Peter suffers is nothing compared to the endurance required for the viewer to watch Crowe and Ryan attempt to act. Movies like this only prove that Meg Ryan is incapable of acting in movies that do not showcase her “cute” image. Put her in Sleepless in Seattle, and the country falls in love with her. Put her in a movie with a more serious plot, and she’s just ballast.

Added to Ryan’s incapabilities was the one-note performance by Pamela Reed as Peter’s sister. I can’t blame Reed entirely for her abrasive performance, however; like that of Lorraine Bracco in Medicine Man, the annoying aspect of the character comes at least as much from the screenwriters as it does from the rather constipated performance.

Back in the early 1980s, the movie Missing covered some of the same territory, although without a negotiator. In it, Jack Lemmon and Sissy Spacek search for their son and husband (respectively) who is feared to be kidnapped. The characters have never liked each other, being polar opposites on many issues. Yes, their characters found a way to work together to reach the same goal, but it wasn’t a clean, perfect working relationship, either. The characters grew during the course of the film. That’s good writing. Here, the predictable happens, some of it terribly ludicrous. Here are some facts: Peter is in captivity for over 120 days (as evidenced by messages of “120 days” and such on screen). Ryan’s Alice tries any way possible to get him back (her husband’s company won’t help, with no kidnapping insurance!), and eventually “settles” for Crowe (why is it that the hero is always The Last Hope?). But even though Alice wants Peter back…. Well, I won’t give anything away, but let’s say her actions are not congruent with that logic at all.

While Terry is stoic and an all-around get-the-job-done kind of guy, he’s not terribly exciting, either. Sure, you argue, but he doesn’t have to be. He’s so cool that he can just sit back and think things through. But hey, this guy never even raises his voice, let alone lose his temper. Which is great if you’re looking for a methodical accountant, but an action hero? And don’t tell me he’s not supposed to be an action hero – stuff gets blown up. That not only screams “action movie” to me, it wears an “action movie” hat with a t-shirt that says “Kiss me, I’m an action movie”. Let’s not pussyfoot around here, folks. This is an action movie with a librarian as its hero.

“Oh,” you say, “but it’s ok. He just looks so damn fine! I don’t care about his actions, I just wanna see that smouldering hunka hunka burning love!” Oh, he smoulders, all right. But you know those forest fires that burn below the ground, where you only see smoke coming from the earth? He’s like that. And you know what? I’ll look at those fires on The Weather Channel, then quickly pass on by. Smoke is smoke, but flames are an interesting thing to watch.

This is a junky film. But I will say this – David Caruso, late of NYPD Blue and a failed movie career, is aces as Terry’s comrade in arms, Dino. Way to go, David! But everyone else? Ick. Hope they don’t need to put this on a resume.

Proof of Life: 4

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76 – Crouching Tiger, Hidden Dragon

When this movie was released in the theater, much was made of it, particularly of its visual appeal. It was said to be a masterpiece, compelling, with luscious scenes and magnificent cinematography.

“Goodie,” I thought. “I can’t wait to see it on video.”

Well, it’s here. And I have just finished watching it.

Those of you who have known me or who have been on this list for a while know my feelings about foreign films in general. I usually don’t like to read subtitles, because it detracts from my enjoyment of the film. When I learned that this movie was dubbed, I was more interested, because I did not wish to be distracted from the striking visual scenes.

However, the problem is that the movie’s not terribly good. One major knock against Hollywood films – and a justly earned knock, too – is that more attention is paid to the special effects of a film than to the story. Well, newflash – that knock applies to some foreign-made films as well. Crouching Tiger, Hidden Dragon is a delight, as long as you don’t pay attention to such trivialities as plot or character development.

Remember those old martial-arts films with Bruce Lee (and even the newer ones with Jackie Chan) that featured hilariously bad dubbing? Those movies were infamous for their dubbing. The tradition continues! That’s one strike against the film. Oh sure, you must be thinking, of course the dubbing doesn’t seem as flawless as it would be if the actors were using their natural voices. That’s to be expected. But it wasn’t that the dubbing didn’t match up with the facial expressionss of the actors, it was that the readings were absolutely soulless. The readings are usually terrible! And when they’re not flat and uninspiring, they’re overly dramatic. If this was a purely American enterprise, people would have hooted at it.

The plot concerns the disappearance of a mystical jade sword, owned by the great warrior Li Mu Bai (Chow Yun-Fat). Li decides to give his sword to an old friend, but the sword is soon stolen by a mysterious assassin and her protege. Soon the protege has the sword, Li is fighting everyone in sight, people die, and there’s a lot of mysticism. I might be oversimplifying the plot a little, but considering how needlessly complicated the plot is to begin with, I think I’m doing you all a favor in that regard!

It is certainly true that the action scenes are unbelievable. You’ve all doubtless seen the commercials where one attacker walks up the side of a building. That’s only the first trick to come out of the bag. As a martial arts film, this is a Picasso. But for those of us who prefer mulitlayered movies, ones featuring more than just a smattering of nominal plot devices, this is fingerpainting more suitable for a refrigerator.

Crouching Tiger, Hidden Dragon: 5

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75 – What Women Want

Mel Gibson’s a pretty good-looking guy. I feel secure enough in my maleness to say that. In fact, I can say it with pride. He’s one DAMN fine man! Woooooo hooooooo!

Oops, got carried away there. But it just goes to show you that even we devoutly heterosexual guys realize he’s kinda hot. And that’s important for this film to work. Mel plays Nick, an incredibly sexist, egotistical, arrogant, womanizing ad-agency executive. He’s the kind of guy who guys want to be and who women want to have. This might explain his popularity a little.

Nick’s all set to get the big promotion he feels he deserves – to Creative Director of his ad agency. His boss and mentor Dan (Alan Alda) calls him into his office for a talk. Nick’s all ready for the big news. Can’t wait for the corner office on the 44th floor. And then Dan drops the bombshell on poor Nick. Not only isn’t he getting the promotion, Dan’s hired someone else to take the job! And not only that, it’s a woman!

So now our poor spoiled boy – who has seen women as either sex objects or hired help, and sometimes both – has to report directly to a woman. Oh, poor, poor Nick. Yes, I can practically hear you ladies out there, just oozing with empathy for this lost soul. A fine comeuppance, you’re thinking. He’s getting what he deserves, you think.

His new boss, Darcy (Helen Hunt), in her first staff meeting, hands out kits to each of the ad people that contain “feminine” products (such as lipstick, padded bras, eyeliner, stockings, and, of course, wax). She wants the company to start paying more attention to the female consumer, noting that billions of dollars were spent by females the previous year, and none of that cash went to their company.

So Nick takes the stuff home and, drunk on wine, tries it all on. Has to keep his job, you know. And minutes later, a freak electrical accident involving a bathtub and a hair dryer leaves Nick with the most dubious of gifts: the ability to read the minds of women.

Hmm. I don’t know about my fellow males, but I’m not sure I want to read the minds of women. As if reading their minds would help me understand anything! But poor, poor Nick. He hears EVERYTHING women (even a female poodle) are thinking, with the predicted madcap hilarity. But it’s spooky for our favorite chauvinist. What’s he to do? Well, he IS a chauvinist. So he uses his newfound ability to steal Darcy’s ideas and present them as his own! What a guy!

The movie wouldn’t be all that wondeful with only one plot going on around Nick, so we get the added pleasure of him having to “watch” his 15-year-old daughter while his ex-wife is on her honeymoon, of him dealing with a semisweet, semipsychotic coffeehouse babe, of him dealing with a mousy coworker/underling. It’s all presented to make Nick’s life look chaotic, although there are few people who wouldn’t trade places with him in general (except for that mind-reading thing). I mean, let’s face it. He’s attractive to women, has money, and… well, what else is there, really?

So how does this comedy of telepathy end? It’s not unpredictable. Knowing that Nick is stealing Darcy’s ideas, how do you think he’d resolve his situation? And knowing the peripheral plots, how do you think he’ll tie them all together?

Because of Gibson’s seemingly endless charm (like Cary Grant, he can simply grin sheepishly and win hearts), this movie stays afloat. He has a capable, if not distinguishable, supporting cast. Oh, and check out the six-pack old Mel’s sporting. That’s what the good life can get you: a personal trainer and a lifetime supply of Tae-Bo tapes.

What Women Want: 7

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